Thoughts.

I was asked last week about foot placement on forehand hucks. I’ve been meaning to write about foot placement for a while now, and for something so seemingly simple there’s actually a decent amount of nuance to it, so this likely won’t be the only post on the topic.

Some general points on stepping and throwing a forehand:
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Last weekend at Chesapeake a teammate remarked, when watching the Chain vs. Ironside game, about how the players were “throwing with their shoulders”–throwing with the hip means power is generated from below the plane of the throw, adding a natural float, while throwing from the shoulder keeps power in the same plane and allows for flatter throws–your typical elite-level pass, in other words (touch has its place, but by and large throws are all about speed and precision).

It’s a facet of throwing mechanics I hadn’t considered but instantly made a difference as I applied it. Throwing from the hip can generate more power but takes longer and is inclined to float; throwing from the shoulder leads to a faster release (no step required, though it can augment) and a bit more consistency in windy conditions.

I think your ideal thrower can generate enough power from torso/shoulder as to obviate the need for the hip on long throws. I need a bigger sample of observing high-level players and applying it myself before I can make that judgment authoritatively, though.

Try it out next time you’re tossing–throw with no step, just torso/shoulder motion. Channel the same motion from your stepped-out pivot position, extend application to practice and game use.

I’ve written about the importance of balance before, but it’s a very broad concept, its applications diverse, and bears revisiting.

In the context of throwing, balance comes in to play a few ways–generally speaking, you want to keep your torso balanced by using your core. A good example of this is throwing with your non-pivot foot picked up off the ground. Can you still throw a forehand and backhand on target? How dependent are you on your legs for not just power, but the general trajectory of your throw? Can you balance without your legs? Work this from standing at first, and then mid-pivot–don’t wait for your foot to set down, but throw midway.

You should be able to make passes at 10 yards with touch, without using your legs. This is a pretty essential skill to grasp, as throwing without your legs leads to throwing with touch from any position your body is in. It will vastly improve your dumping efficiency (and resets are the most important thing in ultimate).

Balance comes in to play from your legs, too. One of the best nuggets of wisdom I received when working on my hucking (I was trying too hard, muscling up, and hooking my attempts to throw 60+ yards outside-in instead of the nice float I was looking for): “try to hold your body position at the end of your throwing motion.” I was stepping out to huck, but continuously moving through the whole step and throw–by forcing myself to wait at the end, to find balance in that final, extended position, my throws improved immediately.

Part of it was still that core balance to gain touch, but a lot of it was finding a balance point through my legs–a lunge position I could hold (incidentally, lunging is an underrated component of ultimate training–more on that later).

Find your balance points to master your throwing.

I’m just going to stop commenting and tell you to read Gwen’s stuff. She nails it.

Be a good thrower for your decisions, not your throws. Put your throwing practice in the context of a game-time decision to make it that much more of a seamless process in high-pressure situations.

My two cents on forehands…first, read what Miranda Roth has on long backhands (she covers it very well–all of the articles in this issue have gems):

I’m all about maximizing torque when throwing—using rotation to generate power flowing into your throw. On a long backhand the first point is to step out so that when you twist your body you’re not killing your defender with a giant elbow to the face (this is easier for tall players—shorter players should focus on a quick stepout). While stepping out, I also reach the disc out as far as I can to create the longest lever possible (thus creating the most force). The last major step is to rip it—use your abs to pull your arm across and really focus on opening your body all the way toward where you are throwing.

A lot of the same rules apply for forehand hucks. Take into account your grip and your arm action, but the power all comes from the torque of the hips and torso transferring to the disc (this occurs through your arm and grip, so those things are not trivial: refine your mechanics if you find your best effort still yields poor (wobbly) results), with your core as a mediator (and mover–train your core rotationally).

The key difference between the backhand and forehand hucks is how the body generates power and how power is transferred. Forehands are much more of a finesse throw, but you can still generate a very significant amount of power using your body properly. For me, this means stepping out to the side, even slightly back, as I torque my torso back slightly, particularly at the shoulder (to load the scapula). Using my step slightly, I use the momentum and transfer that energy up from my foot to my body, as my body undulates–leg, then hip, then shoulder torque forward in time, and as the next link in the chain comes forward the previous link comes back, creating a whipping motion (Which is to say, as my shoulder is coming forward, my hip has begun to move back).

The essential component is to relax. Whereas you can usually brute force a backhand, too much tightness on a forehand will sap your power. Allow your body to flow, to seamlessly send the energy up through your body and into your arm. You will be tense at the core, but your arm will be very loose up until the moment of release (but your grip will remain tight throughout). Unlike the backhand, where the arm can do a lot of work, the arm can really only hinder a flick. You’ll see a lot of people throw with their elbow on the hip, which displays the lack of necessity for the arm very nicely–the ideal, however, is to get the elbow off the hip and leading the throw, much the same way a pitcher like Chad Bradford throws (but with more upright posture). Get that extension, but relax and let your body (esp. your shoulder) whip the disc.